Category Archives: Write a novel

Write A Novel Readers Love: 5 Tips

Write A Novel Readers Love: 5 Tips

Want to write a novel readers love? If you do, you’ll need to become comfortable with conflict. This can be a real challenge, because most of us hate conflict in our lives. But unfortunately if you try to avoid conflict in your fiction you’ll get reviews which call your novel “boring” or “thin”: you haven’t given your readers want they want. (By the way — short stories need conflict and emotion too.)

Essentially, readers read to escape to another world, or to learn something.

Write a novel readers love, and can experience

Readers read to experience. If you can’t touch their emotions, they’ll stop reading.

It’s always useful to read readers’ reviews on Amazon. Bestselling authors aren’t immune from bad reviews, and you can find a lot of these types of comments when authors haven’t delivered a novel that readers want:

  • “Waste of money. Nothing much happened…”
  • “The story ended at 50% and then dragged on… ”
  • “Boring, no tension, too thin…”
  • Etc.

Let’s look at five tips which will help you to write a novel which readers love.

1. Kick your main character at least once every 1000 to 1500 words

When I’m writing a novel or short stories, my scenes usually average  around 1500 words. When you write a scene, it’s much like writing a novel. The scene has a set up, rising action, a climax, and then it’s over. In other words, every scene gives you a fresh opportunity to make life more difficult for your characters. Take that opportunity.

2. “What’s the worst thing that could happen now?”

The easiest way to include a lot of conflict in your novel is to have each and every character have a conflict with every other character.

Although this sounds difficult, it’s not. Think about the people you love. Your partner, or your child. Do you have conflicts with them? Of course you do. They’re minor conflicts:  they do things you don’t agree with and they know you so well that they push your buttons effortlessly.

That said, you want your story to be one in which something happens. Therefore, in addition to the major obstacles to your main character getting what he or she wants, and minor conflicts, you need constant additional obstacles.

It’s all trouble and strife, all the time. 🙂

Think about the conflicts that your characters have with each other, and aim to have something bad happen in each and every scene.

3. Take away what your character values most

What does your character value? Perhaps you’re writing a New Adult novel. Your main character is a young woman who’s just left college. She’s managed to get the job of her dreams — that’s what she values most. So take that away.

Or perhaps she doesn’t realize what she values most. She takes an overseas job, and realizes what she values most is the man she left behind.

Always torture your characters. Your readers want an involving story. You can give it to them.

4. Ensure that conflict happens because of who your characters are

When new authors first hear about “creating conflict”, they tend to have a lot of conflict happening, but that conflict isn’t directly related to the characters.

For example, perhaps the main character gets involved in a minor fender bender. Or the character does something embarrassing. We all have stuff going wrong all the time, and these minor contretemps are useless in fiction. Readers read for escape — they don’t want to read about minor nuisances because they experience them themselves, daily.

Vital: every conflict which happens in your novel must relate directly to the story question, and must happen because of who your main characters are.

5. Resist your own resistance to conflict

There’s an old saying which goes something like this: if the novel’s characters are having fun, the reader isn’t.

Never make things easy on your characters. Ensure that each and every scene contains conflict. Scenes are “showing”, rather than “telling” (narration), so before you start writing a scene, ask yourself: “what’s the conflict? Who wants what? Who opposes that? How?”

When you write a novel, make your characters FIGHT for what they want

In summary, when you write a novel, make your characters fight for what they want.

Your characters are proactive: they know what they want, and they make plans to get what they want. When they fail, they try again, and again.

Go ahead and kick your characters. Your readers will love it. 🙂

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Master Fiction Writing: Craft A Novel in 31 Days

Master Fiction Writing: Craft A Novel in 31 Days

$4.99
Author:
Series: Selling Writer Strategies, Book 4
Genre: Writing
Tag: writing fiction
You want to write a novel. Perhaps you can't get started. Or maybe you got started, and then you stopped.You need a plan, broken down into easy steps. This program began as a 30-day challenge which I organized for readers in 2010. Hundreds of writers joined the challenge and completed it. They wrote novels. More info →

Plot Fiction: Fill-In-The-Blanks Plotting For Pantsers

Plot Fiction: Fill-In-The-Blanks Plotting For Pantsers

“I can’t plot fiction,” a student told me. “My mind doesn’t work that way.”

She’s a fellow pantser. We pantsers can plot, if we have to, but plotting kills our inspiration for our novel.

In our Hot Plots program, I teach an organic method of plotting which convinces pantsers that they can plot. However, all you need to do to become comfortable writing your novels is a basic structure for a novel which stops you getting hopelessly stuck.

Think of it as “fill-in-the-blanks” plotting.

Let’s look at that now.

Fill-in-the-blanks: a way to plot fiction for people who hate to plot

Here’s all you need to know for fill-in-the-blanks plotting from Writing Fiction: Show It, Don’t Blow It:

* The setup (approximately a quarter of your novel, in which you set up your story.) After you’ve set things up, you’re moving to…

* The midpoint — what it says. This is the first big turning point of your story, where everything changes. Your story goes in a new direction. Next you head for…

* Story twist number 2. Another turning point. Your main character has tried to change. It’s not working. Things look black, and you’re heading for…

* The showdown. The make or break. The big fight your character needs to win. The story winds down, with…

* The resolution. The killer’s identified in a mystery. The world’s saved in a thriller, and it’s hearts and flowers in a romance.

Story Twist 2 happens at around the 80% point of your novel.

How to get started with fill-in-the-blanks plotting

Yesterday I finished the first draft of a novel, so this morning I started a new novel, with very little preparation. The novel is in a sub-genre (actually a sub-sub genre of romance.) I’ve never written a novel in this category before, so it will be fun, albeit challenging.

Last night I jotted a few ideas on a pad. This morning, I roughed out a couple of ideas for the main character, using an easy character-creation method. All you need to create a basic character is an adjective, combined with a noun. The noun is usually the character’s job. Some examples:

  • Naive model;
  • Bedazzled lottery winner;
  • Hardworking hairdresser;
  • Jealous chef.

You can come up with any number of these thumbnail “characters” in a minute or two.

Once I had my main character, I wrote a couple of paragraphs of background, and I was good to start writing. I always like to keep very loose during a novel’s setup. I find the best character and plot ideas come to me while I’m writing. If I plot without writing, all I get are cliched characters and obvious plots.

After an hour, I had 1200 words, which was a good start.

By the time I’ve reached the 30% point of the novel, I’ll have the first plot twist, which kicks the main character into action, as well as the midpoint twist. And by the time I reach the novel’s midpoint, I’ll know what the novel’s climax will be so I tend to write that next.

Make fill-in-the-blanks plotting your own: it’s a freeform way to “plot”

When you’re using the fill-in-the-blanks method, you have way-markers you need to reach. In between those markers, you can write any scenes you please. There are no rules, but do remember that you essentially have two plots, as I explained in The Big Secret To Plotting Fiction:

* The external plot is what happens.

* The internal plot is what your main character, or characters, think(s) about what happens.

Just keep asking your characters WHY. I’ll need to ask my main character of my new novel exactly that shortly, because this morning I had no idea of her motivation for what she did. 🙂

Try fill-in-the-blanks plotting. It’s plotting for pantsers. 🙂

Resources to build your writing career

Get daily writing news and tips on the blog’s Facebook page.

Need help with your writing? Visit our online store, or check our our ebooks for writers.

Master Fiction Writing: Craft A Novel in 31 Days

Master Fiction Writing: Craft A Novel in 31 Days

$4.99
Author:
Series: Selling Writer Strategies, Book 4
Genre: Writing
Tag: writing fiction
You want to write a novel. Perhaps you can't get started. Or maybe you got started, and then you stopped.You need a plan, broken down into easy steps. This program began as a 30-day challenge which I organized for readers in 2010. Hundreds of writers joined the challenge and completed it. They wrote novels. More info →

The Big Secret To Plotting Fiction: Two Story Lines (Plots)

The Big Secret To Plotting Fiction: Two Story Lines (Plots)

You’re writing a novel. Are you tearing your hair out yet? (Grin.) Plotting fiction can be a challenge, but it’s made easier when you learn the big secret. Here it is: you have two plots, rather than one.

Plotting fiction: your two plots

I discussed this on Facebook — Today’s writing tip for fiction: realize you have TWO story lines (plots) in your novel. Since Facebook posts tend to vanish quickly, and Facebook’s search function is woeful, here’s the gist.

When you work with two story lines/ plots, it will make plotting a novel (or a short story, for that matter) easier and more fun. Readers will enjoy your fiction more, and that translates to sales.

In fiction, you have (at least) two major story lines: external, and internal

Consider these two plots-in-one; your novel or short story/ novella needs both:

  • The external plot is what happens.
  • The internal plot is what your main character, or characters, think(s) about what happens.

In some genres, the external plot is primary — thrillers, for example. However, in other genres, the internal plot is primary — women’s fiction and any form of romance, for example.

That said, ALL genres, without exception need both. It’s common for beginning writers to “plot”, focusing on the external story line. That’s fine, in a first draft. However, as soon as possible, you need to pay attention to the internal plot/ story line too.

For easier writing, look on the “character arc” as a story line

The internal story line is often referred to as the “character arc”, but I’ve never thought that that was a particularly useful construct.

For example, in the novel that I’m currently working on, a romance, I realized this morning that something wasn’t right. The main character’s internal story line wasn’t working. I could get it to work, but that would require an extra 20,000 words, and it would throw off the pacing. Or instead, I could start the story earlier, and revise what I’d written to reflect that.

So, I decided to revise. Luckily, the revisions will be minor, because the major character isn’t aware of the importance of what happened earlier; it was formerly backstory. All I need to do is write a single scene to start the novel, bringing that part of the backstory alive. In addition, I’ll need to revise the internal story line (character arc) to reflect that. Since I’m halfway through the novel, that means a week of work, but it will make the story more entertaining. And it will be fun to write, which is always a good thing. 🙂

Although I’m not a fan of doing revisions in the middle of a first draft, I decided to do it anyway. It’s the only way I can get the internal plot to work — and the novel to work, for that matter.

You need two plots in one, for an engrossing (and salable) story

Think about the books you’ve loved — the Harry Potter series, for example. Do you remember the plot of each of the books in the series, or do you remember the characters?

Novelist and academic E.M Forster offered this famous definition of plot:

The king died and then the queen died,’ is a story. ‘The king died, and then the queen died of grief is a plot.’

The reason the king died — “of grief”, combined with events, gives you a plot.

Simply recounting events, which newbie fiction authors tend to consider a “plot”, is unsatisfying to readers, because you’re only telling half of the story. You end up with cardboard characters. Readers complain, give your novel low ratings, and they won’t buy your next book.

Chances are that while you’re writing, you’re aware that your plot isn’t working, but you don’t know how to fix it. The solution is to look at your main character’s internal story line.

You’ll find that your plotting becomes easier, once you start thinking of your plot as two strands, intertwined.

Of course, sometimes you have three strands to braid together.

What happens when you have three plots/ story lines?

Some genres have more than two strands to the plot. Mysteries and thrillers for example have three. The crime, or disaster, is a storyline of its own. Your murderer, or evil antagonist, has his own internal and external story line.

Is this starting to sound way too complicated? 🙂

Relax. When you’re writing, just write. Later, when you’ve finished your writing session for the day, think about your story, and ask yourself whether you’ve included an internal story line, as well as the events of your plot.

You’ll find that if you do this, writing fiction becomes more satisfying for you, and reading your fiction is more satisfying for your readers.

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Plot Hot-Selling Fiction The Easy Way

Plot Hot-Selling Fiction The Easy Way

$5.99
Author:
Series: Selling Writer Strategies, Book 3
Genre: Writing
How To Write Novels And Short Stories Readers Love: You're about to discover the easiest, fastest, and most fun plotting method ever. You can use it for all your fiction, whether you're writing short stories, novellas or novels. Take control of your fiction now, and publish more, more easily. More info →
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