Writing is all about the reader. Sometimes we forget that.
In the back of your mind however, you always need to remember the reader, and his reactions as he reads.
In nonfiction, you write to inform, or to entertain, or persuade your reader.
When you’re writing fiction, you write to give the reader an emotional experience.
Think about the emotional experience you want to give readers before you start writing, when you choose the genre of your novel. Are you writing a mystery? A romance? A science fiction epic?
Think about how you choose what you’ll read too. If you’re reading a mystery, why did you pick up that book? What attracted you to it? What emotional experience are you hoping for?
Once you start writing however, you’ll forget the reader, and that’s how it should be. In your first draft, you simply write. You’re discovering your story, and its characters.
In our 30-Day Novel-Writing Challenge you wrote your first draft, and you learned some of the elements which help you to create popular fiction.
Let’s imagine that you’ve completed your first draft. You ensured that every scene you wrote had a viewpoint character, who had a goal. Each scene contained conflict, and ended in a disaster for your viewpoint character.
Now it’s time to revise and edit your novel.
Nitty gritty revision: Motivation Reaction Units
Yesterday, we talked about an example of writer’s blindness. It’s VERY hard to get what’s in your head onto the page.
One of the best ways to ensure that you do that, is to make sure that every scene, and its sequel, contains a sequence of MRUs.
Randy Ingermanson has a wonderful explanation of MRUs. “MRU” means “Motivation-Reaction Unit.” They’re a way of decoding what’s in your head, so that your reader has the experience you want him to have. Once you understand MRUs, and apply them, your writing will instantly improve.
As this article, Dwight Swain’s Motivation-Reaction Units | The First Gates, says:
“Motivation-Reaction Unit is the fundamental building block of an action sequence (it’s important to stress that it does not apply to description, exposition, or reverie). It’s pretty simple: something happens, the hero reacts to it, the situation changes, and something else happens. “
MRUs are the way your reader experiences your fiction. Your reader is in your viewpoint character’s body, seeing what he sees, and reacting as he does. They’re powerful. You need to learn how to use them, and then write in MRUs as you edit your fiction.
Watch how writers use MRUs in your reading, too. Getting your head around MRUs is a challenge. Focus on scenes first. Does the viewpoint character have a goal? What’s the conflict? How could you make the conflict more intense? What’s logical? What’s unexpected? What’s the disaster?
In revision, you’ll find that in some scenes, nothing much happens. Be brave. Delete those scenes. You’re providing your reader with an emotional experience, remember. If there’s no emotion, the scene must go. Save deleted scenes to an “Extras” file, if it makes you feel better.
Discovering MRUs, and using them, will immediately improve your novel. Sometime today, take an early scene in your novel, and rewrite it, using MRUs.
Latest posts by Angela Booth (see all)
- Self-Publishing Success With Social Media: 4 Content Curation Tips - November 9, 2017
- 5 Simple NaNoWriMo Writing Hacks You Can Use Today - October 31, 2017
- NaNoWriMo Success: 3 Tips To Achieve Your Goals - October 22, 2017